In July 2017 Scottish Sculpture Workshop presented Edge Effects Glasgow; a programme of workshops, walks, film and performance that explores the complex co-dependencies between ecological, social, economic, and political phenomena.
SSW Edge Effects artists and contributors are: Ximena Alarcon, Brett Bloom, Sylvia Grace Borda, Mele Broomes, Charismatic Megafauna, Taru Elfving, Fernando Garcia-Dory (INLAND) & Alex Wilde (Open Jar Collective), Carl Giffney, Mari Keski-Korsu & Maaria Alén, Maarit Laihonen & Petri Ruikka, Janne Nabb & Maria Teeri, Mirko Nikolić, Áine O’Dwyer, Nuno Sacramento, Richard Skelton and Simon Yuill.
FOR AN OVERVIEW OF THE PROGRAMME CLICK HERE
We explored these questions through artist led activities at the CCA and across the city in offsite locations. At the Arlington Baths Club artists Mari Keski-Korsu and Maaria Alén offered one to one sauna whisking treatments in Beat To The Balance. From the Pearce Institute and following the flow of the Clyde, sonic artists Ximena Alarcon and Brett Bloom guided a two-day intensive Deep Listening workshop that was seeking out possibilities for a post fossil fuel Scotland.
Evening performances included new work by Áine O’Dwyer, presented in collaboration with Counterflows, and Charismatic Megafauna appeared in Scotland for the first time. At CCA, there were newly-commissioned film work by artists Carl Giffney, Nabb + Teeri and Mirko Nikolić, and the Edge Effects library hosted talks and workshops around empathy and activism, Deep Mapping and interspecies communication. Newly commissioned publications by Simon Yuill, Nuno Sacramento and The Centre for Alterity Studies were also launched. Interventions across the city included sonic mediation at bus stops by Brett Bloom and community crafted shortbread by Sylvia Grace Borda and the Lumsden Community bakers at the Project Cafe.
Edge Effects marks the conclusion of the five year Frontier in Retreat programme and is presented through a series of eight satellite exhibitions taking place across Europe between July and December 2017 and in Seoul in 2018. For more information on these visit: Frontiers in Retreat- Edge Effects
Frontiers in Retreat is funded with support from the European Commission. This communication reflects the views only of the author, and the Commission cannot be held responsible for any use which may be made of the information contained therein.