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kerry morrison // Profile
I work in the public realm responding to environmental issues and public concerns within a given locale. Conversation and collaboration lie at the heart of my working processes. It is through conversation, talking and listening, that my work evolves. I often work in collaboration with botanists and environmental scientists, which, combined with reading scientific research papers, enables me to have a broader understanding of the world in which I live. Working with and in communities, in collaboration with specialists, and in and with land, I aim to integrate the complex social and economic dimensions of ecology into process led art activities to present new ways of seeing and experiencing landscapes. I am particularly interested in people’s connection to vegetation, and how we tend to value flora based on populist aesthetic values and perceived usefulness. This has lead to investigating land and plants that appear to be of a lesser value, or, be less valued: • Brownfield sites, questioning the value of these much maligned landscapes – should they be considered wastelands or are they in fact green lands; biodiverse wildlife habitats offering the potential for near-by people communities to experience nature? • Mosses, lichens, and scrub woodland – how some plants, in effect, clean the land, air, and water (we have polluted) by locking toxins within their cell structures. Biomonitoring and phytoremediation, plant accumulation of toxins, is what has brought me to SSW. This area of Scotland is rich in sphagnum moss, a moss that is commonly used by scientists as a bioindicator (it effectively traps air particles and heavy metals). To monitor air quality and air pollution a moss bag technique can be used. This allows air quality to be monitored without the need for onsite electricity. Samples from the moss bags can be collected from different locations and be taken to a laboratory for analysis. This is the concept, but the actual use of mosses as bioindicators requires a specific scientific methodology for the data collected to be considered reliable.
Artist's CV
Education: BA (hons) Creative Arts (Manchester Met University) M.A. Fine Art, Sculpture (Manchester Met University) I have been practicing as a freelance artist for 15 years, and have completed over 50 public realm and gallery commissioned works - great anecdotes – but the CV reads as a long list – for this reason, just the past 18 months.. 2008 Temporaere Gaerten, Aachen, Germany. 2007 Rumlingen Sound/Environment Festival, Switzerland 2007 “Urban Nature” commission, Greenwich Peninsula, I.P. Peninsula Project, London. 2007 Woburn Park, Bury. Commission. “Green Bridge” – in progress 2007 Radcliffe Crematorium Memorial Garden. Commission – vista platform 2007 “How Green is Your Space” series of projects - 1 in Leicester and 2 in Lancashire 2006 Liverpool Independents Biennial. Art/Ecology project to map and evaluate Brownfield sites in Liverpool. Process led, with web platform www.liverpoolwastelands.blogspot.com Selected Exhibitions 2008 “Dislocate 08”, Yokohama, Japan (Upcoming September) 2008 Nature Art Biennial, Korea (Upcoming August) 2008 Bury Art Gallery. Solo exhibition. (Upcoming July) 2006 Liverpool Independents Biennial. Solo exhibition, “The Outhouse”, Liverpool Conference Presentations 2008 Elevate HMR conference. East Lancashire 2007 Common Work Conference: socially engaging practice. Tramway, Glasgow. University of Stirling 2007 Perthshire Visual Arts Forum 2007 Elevate East Lancs. Housing Renewal Seminar “Creative Community Engagement” Key speaker Published 2007 “The Green Sink” Falmouth College of Art “Artful Ecologies” conference publication 2007 “Can Art Add Value to the Ecology Brownfield Debate?” Ecos Vol 28 issue no. 1 Awards 2007 Lottery Grants Scheme, “Awards for all”. Ecological Art Investigations

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